Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Full house is about two exhibitions that took place, five years apart, in the same building of the center of Brussels. Over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt were presented in total.The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by the mental health clinic that occupied the premises. The works were mostly sculptures made with objects from everyday life and played with the ambiguity of what the last occupants could have left and what the artists made on purpose. The building then underwent a long renovation: photos illustrate that process.The second show, Inaspettatamente (Unexpectedly), is taking the viewers around the collection through the prism of the famous Arte Povera artist Alighiero Boetti with themes such as order and disorder, time, classification, the artist's process or his/her position in world conflicts.Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions. A conversation with Frédéric de Goldschmidt gives unique insights not only on the exhibition but also on the collector's process.An introductory essay finally puts the building in its historic context of the former harbor of Brussels, now one of the artistic hubs of the city.The book's structure, design and production translate the experience of the two shows into a unique object.

Art --- Contemporary [style of art] --- art collections

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- art collections --- anno 1900-1999

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Naar aanleiding van het pilootproject Kunst in Opdracht verscheen in september 2020 een boek dat de theoretische neerslag vormt van Every Collection Hides Another Collection. Als fysieke verwijzing naar de installatie is het boek gevat in een gezeefdrukt kartonnen foedraal. De teksten van onder meer Sara Weyns, Leen Hammenecker, Katrien Laenen en Bob Daems worden aangevuld met foto’s van Oxiea Villamonte en Sander Tas. Midden in het boek is de complete inventaris van de collectie opgenomen. Het geheel biedt een inkijk in de provinciale kunstcollectie en de wijze waarop deze verzameling de voorbije halve eeuw tot stand kwam.

Art --- art [fine art] --- art collections --- Antwerp [Province] --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

collecting --- Art --- Iconography --- Municipal Van Abbemuseum [Eindhoven] --- Stedelijk Van Abbemuseum --- art collections

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

- A historical introduction / Bruce Altshuler##- The right to be wrong / Howard N. Fox##- To have and to hold / Robert Storr##- 9 minutes 45 seconds / Jeffrey Weiss##- Breaking down categories : print rooms, drawing departments, and the museum / Christophe Cherix##- Keeping time : on collecting film and video art in the museum / Chrissie Iles and Henriette Huldisch##- Collecting new-media art : just like anything else, only different / Steve Dietz##- Beyond the "authentic-exotic" : collecting contemporary Asian art in the twenty-first century / Vishakha N. Desai##- The unconscious museum : collecting contemporary African art without knowing it / Pamela McClusky##- The accidental tourist : American collections of Latin American art / Gabriel Pérez-Barreiro##- Collecting the art of African-Americans at the Studio Museum in Harlem : positioning the "new" from the perspective of the past / Lowery Stokes Sims##- The challenges of conserving contemporary art / Glenn Wharton.

museology --- Museology --- Art --- collecting --- anno 1900-1999 --- anno 2000-2099 --- art collections